The farráshes hunted them down, and caught Mírzá Mustafá. But then the oppressors said, “Mírzá Mustafá had two long locks of hair. This cannot be the right man.” At once, Mírzá Mustafá took off

He lived apart from friend and stranger alike, lamenting night and day, moaning and chanting prayers. There he remained as a recluse, and waited for the doors to open.

He travelled to Cameroon with Enoch Olinga to teach the Baha'i Faith.

He was a man meek, quiet, uncomplaining, steadfast; in all things pleasing, worthy of praise. He won the approval of all the friends and was accepted and welcome at the Holy Threshold.

He was young, far away from his loving father, and Mullá Muḥammad-‘Alí was his tutor and guardian. Bahá’u’lláh would refer to him with infinite grace and loving-kindness, and revealed a number of Tablets in his

Mr. Fayard Nicholas was a Baha'i and he developed the duo’s trademark balletic and acrobatic style, which they showcased in 65 movies, and which inspired such greats as Fred Astaire, Gene Kelly and Michael

Mr. Njiki was employed as a typist with Cameroon Development Co-operation (CDC) in the area oflice in Bota from 1950 to 1954. Early in 1954 he came into contact with the Bahá’í Faith through

Mahshid Nirumand, 28 years old, was a graduate in physics from the University of Shiraz. She was ridiculed by her interrogator for her degree. He said, "What an education! A graduate in physics!

Exceptionally skilled in his craft, Ustád produced highly ingenious work, fashioning carpentry that, for intricacy and precision, resembled mosaic inlay. He was expert in mathematics as well, solving and explaining difficult problems.

He was high-minded, abstemious and chaste. When he became a believer, his urgent longing to meet Bahá’u’lláh could not be stilled; full of joyous love, he went out of the Land of Káf (Káshán)